Monday, January 31, 2011

11 Years Wedding Anniversary Saying

Poetry and Painting, a mirror of reality



It mile Deroy (1820-1846), Portrait of Charles Baudelaire

The poetry of Baudelaire, photographer its climax with the state of anxiety in which a country that can no longer breathe
Spleen

When the low, heavy sky weighs like a lid on the spirit
moaning in the grip of long anguish, and
payments cover the entire horizon around
A daylight saddest night

When the earth is transformed into a damp prison
Where as a bat Hope
banging against the walls with her timid wing
hits his head on the ceilings rotting;

When the rain stretching its immense strips
Imitates the bars of a prison
And a big dumb people Curtains of infamous spiders
the nets at the bottom of our brains,

Suddenly the bells banging furiously
dashed back to the sky a horrendous scream
Similar to spirits wandering homeless
What we offer groan stubborn

And long hearses, without drums, without
bands parade into my soul slowly won; Hope
cries and the terrible anguish despotic
plant on my head bent over his black banner.



Johann Heinrich Fuseli, 1741-1825 The Fates

The Fates F ü ssli represent a possible remedy to unravel anxiety and free breath.

The Fates in Roman mythology presiding over human destiny: Clotho spins the web of life, Lachesis exempt destiny and marks the duration and Atropos cuts the thread of life at the time set by Fate .
interesting is that the conscientious work of Atropos beyond the mythology, it might be providential in every situation in order to lighten their grip.
Providence pagan, some would say but the manner Manzoni, we like to add.

Anna Lanzetta




Thursday, January 27, 2011

Maxi Cosi For Me Travel System

By Primo Levi, because nothing you forget



Felix Nussbaum, Autoportrait

La tregua
dreams in the night ferocious
Dreams dense and violent
dream body and soul:
back, eat, tell.
until it sounds about low
command dawn:
\u0026lt;>;
It broke my heart in my chest.

Now we have found Home,
our belly is full,
we finished telling.
is time. Soon we will hear more
foreign command:
\u0026lt;>;
;
January 11, 1946



Primo Levi

[...] It was precisely the hardships, beatings, cold, thirst, that kept us afloat in the void of bottomless despair, during and after your trip. Not the will to live, nor a conscious resignation, because few men are capable of this, and we were not a common standard of humanity.
The doors were closed immediately, but the train did not move that night. We learned our destination with relief, Auschwitz: a name without meaning, then for us, but he had to correspond to a place of this earth.
The train was traveling slowly, with long stops unnerving. From the Louvre, we saw high rocks to slip off the pale of the Adige valley, the last names of Italian cities. Brenner spent the second day of the twelve, and all rose to their feet, but no one said a word. I was in my heart the thought of return, and cruelly I might have been represented as the joy of that other inhuman landscape, open door that no one would want escape, and the first Italian names ... and I looked around, and I thought those among the poor human dust, would have been touched by destiny.
forty-five Among the people in my car, only four have reviewed their homes, and it was by far the most successful coach.
We suffered from thirst and cold all the stops to ask for water with a loud voice, or at least a handful of snow, but we were rarely heard, the soldiers of the escort away those who tried to approach the convoy. Two young mothers with children still breastfeeding, night and day groaning begging water. Were less agonizing for all the hunger, fatigue and insomnia, made less painful by the tension of the nerves, but the nights were nightmares without end. [...]
Next to me, as I bolted between body and body, the whole trip was a woman. We had known for many years, and misfortune we had grown together, but knew little about each other.
We said then, at the hour of decision, things that are said to among the living. We said goodbye, and it was short, each greeted the other life. We had no more fear. [...]
We also know that although this is not always tenuous principle of discrimination on disabled people and disabled was followed, and then adopted was often the easiest way to open both doors of the wagons, without warnings or instructions to newcomers. Those entered in the field that the case was down on one side of the train, went to the other gas.
Thus died Emilia, who had three years to the Germans appeared to clear the historical necessity of killing the children of the Jews. Emilia, daughter of engineer Aldo Levi of Milan, which was a little curious, ambitious, funny and intelligent, which, while traveling in the car packed, the father and mother had managed to bathe in a tub of zinc, in warm water that the German driver had consented to degenerate to tap the locomotive that drags us all to death.
Thus, in an instant, a betrayal, our women, our parents, our children. [...]
(by Primo Levi, The trip )



Not to forget

If this is a man
You who live safe
In your warm houses,
You who find, returning in the evening
Hot food and friendly faces
Consider if this is a man
What works in the mud
Who knows no peace
Who fights for a bread
Who dies for a yes or a no.
Consider if this is a woman,
Without hair and unnamed
Without more strength to remember
eyes empty and her womb cold
Like a frog in winter.
forget that this was:
Remember these words.
Engrave in your heart
When at home because,
bed, rising;
Repeat them to your children.
O there undone the house,
illness impede you,
May your children twist their faces from you.
; ; Primo Levi

Primo Levi (1919-1987) was born in Turin by the Jewish family. Interned in camps of Auschwitz, he survived and he recalled that experience and the successful return home in his books: If this is a man (1947) and The Truce (1963). Committed suicide in 1987.

You can not read these verses, these words, these pages, without losing feel, without feeling the need to cover her face to the horror of what was and what could happen again, because Auschwitz is still lurking.
Reading, custodian of our memory, is a filter pausativo to learn, remember, confront and work to prevent such monstrosities come back, because "the sleep of reason can still generate monsters." (AL)

Anna Lanzetta

Wednesday, January 26, 2011

Birthday Invite For 61

Because nothing is forgot ... there is a pair of red shoes



There is a pair of red shoes

There is a pair of red shoes
Number twenty-four
almost New:
inner sole can still be seen on the brand of factory
"Shulze Monaco"
there is a pair of red shoes
top a pile of children's shoes
Buchenwald
more in there is a pile of blonde curls
of black hair and brown
Buchenwald
were used to make blankets for soldiers
not waste anything
them and the children undressed and shaved them
before pushing in the gas chambers
there a pair of red shoes
of red shoes for Sunday
Buchenwald
were a child of three years
perhaps three and a half years
who knows that color were his eyes
burned in furnaces
but we can imagine her crying
know how the children weep
even his feet
we can imagine them
shoe number twenty-four
for eternity
because the feet of the dead children do not grow
there is a pair of red shoes
Buchenwald
nearly new
because the feet of the dead children
not consume the soles.
Joyce Salvadori Lussu

Joyce Salvadori (Salvadori Gioconda), better known under her married name of Joyce Lussier (Florence, May 8, 1912 - Rome, 4 November 1998) was a writer, translator and Italian partisans, a silver medal for military valor.
-Home is where you are right, said: where you live in harmony with its neighbors, where he willingly returns at home, finding friends. But there also means cross borders and meet other, similar but different to us. "You laugh and cry all in the same way," used to say. The hatred and violence comes from the exploitation, coercion, robbery of the vital need: food, rest, emotions, thought, freedom, men and women equally necessary.
story was his way of turning his thoughts, because the origin of every person and every thing there is always a story.
And us, continuing his thought, says:



Felix Nussbaum (1904-1944 ).
The image speaks for itself (AL)

raining and raining.
Under the slanting rain that falls, I sit.
Tamburella on my bare head,
cola eyebrows burned,
flows inside the mouth that bleeds.
Rain shoulder injury,
rain in my heart torn.
Rain, rain, rain.
What is still living?

These verses were written by a survivor of Hiroshima, Kazuo, but these words going beyond every border shared by all peoples of reflection and sound a warning for all humanity.



I would go alone
Where there is another best people,
somewhere unknown
where no one kills.
But maybe we'll go in many
Towards this dream,
in a thousand maybe
and why not now?
In the town of Terezin, not far from Prague, were deported between 1942 and 1944 fifteen thousand children.
Words suriportate Alena Synkovà are one of them.
reflect together in a religious silence.

Anna Lanzetta

Tuesday, January 25, 2011

The Wild Thornberrys Wildlife Rescue Game

to emerge from the results: we respect our adolescence




Eduard Munch (1863-1944), Girl in tears


The most serious problems our society now lives are linked to young people and invest more fragile band: adolescence
On the subject of loneliness, adolescents are the most frequent victims, as often they lack a partner ready to listen.
increasingly common and a state of depression that invests a lot of guys with a consequent lack of esteem for oneself and with extreme gestures.
The lack of dialogue, a means of comparison and to vent their fears and their insecurities create that state of incomunicabità that isolates.
Adolescents experience a moment of growth particularly since very fragile and easily malleable which is fundamental for driving adult. But today's society puts too often on the margins adolescents and young people and emphasizes the fragility with models in which the protagonists are only mirages winning.
The cult of the image and 'look, essentially complicit in the media, with different instruments, has taken from being the substance, with the prevalence having.
discomfort and malaise invest more of our children, negating choices and correct and orienting towards the use of drugs, alcohol and smoke, such as mirages their inquitudine
their discomfort and their malaise, however, reflect our failure and lead us to a review of our behavior too differentiated by their needs and a report ; training one to one adult and adolescent.


Eduard Munch, Puberty

-grow and mature into great means awareness of what I was, what they are, what I want or A-I would be thinking this is not seen in our kids for lack of responsibility fertilized.
very severe in adolescents and young people's loss of relationship with your body, placed at the mercy of those who took advantage with persuasion, with mirages, with severe irresponsibility.
The dissociation between himself and his the body comes from many factors including: the desire to prove that they are big and have money and everything that the company offers with negative examples made blatant by the media.
The cult image is increasingly becoming a octopus from which escape is difficult.
Nothing can compete with this ephemeral reality that bombards us and steals the kids dreams and fantasies, undressed of their identity and their personality.
The state of dissatisfaction which is faced by adolescents is a relentless indictment of the adults to repay them with physical violence and psychological stigma in our society.
Respect for yourself is the first canon of a healthy society. The body is the wealth of each person, their soul, its conscience, its heart, is selling out to sell it themselves.
The body lives in harmony with the mind and reason with them, and characterizes our way of being, give the body is to yield ourselves, violate a body is breaking themselves.

It is time that adults rieduchino the relationship of coexistence, respect and responsibility. Family, schools, institutions and all sectors of society should be pooling and revise its behavior, to halt the drift, for re-education and to educate.
is not rhetoric, it is not utopia but an invitation to open his eyes for too long we have closed.
Impossible? NO! If each carefully reviewing the situation or the act of doing something unseemly to ask you: what if it were my son or daughter? Maybe you stay the hand of Cain and the crows disappear from our horizon.


Vincent Van Gogh (1853-1890), Wheatfield with crows flying


Anna Lanzetta

Sunday, January 23, 2011

Good Basketball Shirt Sayings





Caspar David Friedrich (1774-1840) The sinking of the "Hope", 1824

The Wreck of Hope, or The Wreck of the titles reflect perfectly the situation that our country is experiencing and the art becomes a true reflection.

than ever right now, all our hopes of rebirth is shipwrecked.

the ship to pieces, is the analog symbol of our country shattered, despised, offended and humiliated.

"Sea of \u200b\u200bIce" is a metaphor indifference which is reduced the country, gripped by the icy bite of 'irresponsibility of those in the vigorous defense , is unable or unwilling to see the abyss.

slowly drops on each face a grotesque mask, to hide the embarrassment and to celebrate, dumb, sad wreck of our carnival.



James Ensor (1860-1949) The ironies , 1911

Anna Lanzetta

Thursday, January 20, 2011

Real Estate Agent Letter Of Introduction

Our sinking condition.



The Scream

The Scream by Eduard Munch , perfectly expresses the condition of our country, discomfort, illness, despair, denial.
Any comment would be superfluous.



Eduard Munch (1863-1944) Portrait with Cigarette 1895

Saturday, January 15, 2011

Big Boobs Indian Actressmodels

We are still the "Beautiful Country"? The sense of the Risorgimento


G. Grosz, Berlin 1915

Grosz makes the idea of \u200b\u200bchaos , but art transcends time, and the work reflects well on our state.

The daily reality forces us to open our eyes to ask if we still the "Bel Paese", once admired for his natural and artistic beauty, a sense of freedom that you breathe the breath of a common identity, the breath of a historical process that is not immune from struggles and ; sacrifices gave us the 'Unit.

is undeniable that in a few years everything has changed, just look around to see that.
Today, Italy is the country of a few and is prey to a relentless deterioration at all levels

When young people shouting their anger at the lack of a proper social position and a future that is uncertain and precarious, and when the workers are demanding to be not just goods but people and when our monuments fall apart and fall with them our history and our identity, when all ' you prefer to be having, and when the substance is preferred pleasure when the interests of one and by far outweigh the good of the country, when the territories and people affected by disasters, they are abandoned, when the culture is no longer cultivated and when the town gathers in the street the death of the weakest and the stench of abandonment, it is clear that this is the country that has the appearance of the image and false promises, their substance.

the light of what is happening, the "Beautiful Country" today is only a utopia tinged with melancholy.



E. Munch, Despair, Melancholy, Solitude

Everyone is just the heart of the earth
pierced by a ray of sunshine:
and suddenly evening. "
(S. Quasimodo, 1901-1968)

A country that can no longer listen to the destitute and that nurtures a sense of belonging more to the story that one day we gave the Unification of Italy, sons and brothers, is a country that has lost its values, an Italy now difficult to celebrate.

The anniversary of the hundred and fifty years should compel us to re-open the history books, too long to get us closed again become aware of what we were.


Remigio Legat, Battle Calatafimi

A reminder, echo clear and emphatic words of Alessandro Manzoni's ode policy "March 1821":

About Gemini may Dora,
she Bormida the Tanaro bride
of Ticino and Orba wooded
scerner confused in the order Po
rapid reversal of those Mella
; Oglio and the mixed current
who ritorgliergli the
thousands of streams that poured the mouth of the Adda,

that once people resurrected
can be split into vulgar despised,
and back the years and fates,
prisci Push to grief;
a free people throughout
FIA or servant of the Alps and the sea;
one-at-arms of language, on the altar,
memory, blood and heart.
(vv. 17-32)

not without emotion that we look to the past belongs to us and where we come from, a past that never like today, the anniversary of one hundred and fifty invites us to reflect in the name of the flag, in memory of our "units".
Perhaps this event will make us think and this will be its most beautiful, inviting us to find a new understanding that, in addition of new symbols and new powers will give us a sense of what we were and what we want to be , with heaps of garbage at the door with different aspects that today we suffocate.

Italy is made, and now we must make Italians . This phrase Massimo D'Azeglio makes us think that even then you were aware that it was necessary to form the conscience of the Italians, that nothing is immune from struggles and sacrifices that must be consolidated and still preserve all attacks from our Unit , in sacred memory, indispensable in the present, which is the care of leaders realize what is still outstanding and that makes us look crippled the Risorgimento project.

This is also the meaning of the book Farewell my beautiful goodbye ... The history of the Risorgimento between words, images and music. A tribute to the arts and culture in general greatly contributed to the history of our Unit.

The book, published by Morgana Edizioni, will be distributed in bookstores in January 2011.
Information: annalanzetta@libero.it
You can order by writing fax to 055 244739 or mail to morgana.ed @ tin.it
The cost of the book is 10 €.
George Grosz (1893-1959)
Eduard Munch (1863-1944)
Anna Lanzetta

Monday, January 10, 2011

My Bilirubin Is 1.3 H




The trasteverina killed by a bomb


The trasteverina killed by a bomb, Jerome Induno shows a girl of the Trastevere district of Rome, died during the fighting in 1849.

The
painters participated in the Risorgimento struggles and photographed scenes of real life. This image must not leave us indifferent. Jerome Induno photographs with painting a very dramatic moment, a bomb hits a wall and breaks a little girl who falls to the ground lifeless.

The picture is a representation of a very tragic moment in which the painter, through shapes, colors, and setting the face of the girl Examining invites us to reflect on the sacrifice that has been built in the Unification of Italy and we now we must not and can not betray.

Our unit is dear to all who heard the story as belonging, who care about the price paid to obtain it, a price that makes absolutely inexcusable and intolerable thinly disguised attempt of those who today do not recognize or value the nor the historical value, which plays a part of the movement that was intended as the Risorgimento patriotism, as a rebirth of a new era in which all become sons and brothers.


The trasteverina killed by a bomb, part.

Induno Jerome (Milan, 1825-1890), The trasteverina killed by a bomb


Anna Lanzetta

Friday, January 7, 2011

How To Create A Gallbladder Attack

To celebrate the hundred and fifty years of Italian unification: Farewell my beautiful goodbye ... The history of the Risorgimento between words, images and music


The first Italian flag brought to Florence in 1859

The President of the Republic, Giorgio Napolitano, officially opened the celebrations in Reggio Emilia for the hundred and fifty years of the Unification of Italy.

The book that we offer Farewell my beautiful goodbye ... The history of the Risorgimento between words, images and music, fits into this context and focuses on the role that arts and culture in general they covered the Risorgimento.

careful reading of the book, which is already proving very popular in schools, for its educational purposes also will enable us to reflect together on one of the most beautiful and exciting in our history.


The farewell conscript

The book, published by Morgana Edizioni, will be distributed from January 2011 in major bookstores.
Information: annalanzetta@libero.it
You can order by writing fax to 055 244739 or mail to morgana.ed @ tin.it
The cost of the book is 10 €.


Back cover: Saverio Altamura (1826-1897) , The first Italian flag brought to Florence in 1859
Cover: Induno Jerome (1825-1890), The farewell conscript